The film, which is more like an 80-minute vibe piece, is a comically macho video game riff about a Miami assassin. Odd that a movie which features such harshness and tragedy should remain a feel-good perennial — even odder when you consider it was a box-office flop on release. Few directorial debuts are so deftly constructed; no surprise, then, that Frank Darabont has yet to top it. The character pay-offs are just as staggering as the action — and when Steve Rogers finally proved worthy enough to lift Mjolnir, a stone-cold cultural moment was created. Aside from Boromir, Aragorn and the small-town denizens of Bree, there’s not a huge amount of human representation in The Fellowship Of The Ring.
Even if he’s not your favorite Bond, it’s hard to argue with a movie that provides the closest thing to an origin story for 007. There Will Be Blood is about Daniel Plainview (Daniel Day-Lewis), a man whose ruthless greed takes him from penniless miner to oil tycoon over the course of 30 years. Plainview’s dismissal of religion will put him at odds with Eli Sunday (Paul Dano), a preacher who is just as ambitious as he is. For all of the comparisons made between There Will Be Blood and No Country for Old Men, the former actually has more in common with Citizen Kane. It’s much bloodier, though, so you might only be able to watch it once.
This movie about a talking teddy bear with a big heart shows a heartwarming lesson about empathy and community to both kids and adults alike, as Paddington and the people who love him band together to help when the polite bear is falsely imprisoned. In this legendary Korean thriller, a group of travelers on a bullet train have to fight off a car full of zombies as a mysterious infection ravages the country. The pulse-pounding film has a stellar cast and a secret heart, with the characters making touch choices to help their families survive. Yes, there are three parts to this trilogy that might require a night of bingeing. But there’s really nothing like Francis Ford Coppola’s depiction of the mob family of Don Vito Corleone. It’s a chilling to the bone, action-packed story that’s not one to miss.
Paul’s journey is one of naivete crushed by the relentless machinery of war and state and an awakening to the way soldiers are chewed up in the name of politicians and generals. Director Edward Berger’s take on the material is the first to be filmed in German, which adds a layer of authenticity to a blistering, heart-rending cinematic effort that drives home the horror and inhumanity of war. This gleefully entertaining giant-monster movie eschews tearing up the likes of New York or Tokyo in favor of director Roar Uthaug’s (Tomb Raider 2018) native Norway, with a titanic troll stomping its way toward Oslo after being roused by a drilling operation. But the striking Nordic visuals and the titular menace’s ability to blend in with the landscape allow for some impressively original twists along the way.
After an attempt to impress him leads to social disaster, Stacy is enraged when BFF Lydia (Samantha Lorraine) dates him instead, and soon everyone’s lives are spiraling out of control in the kind of deranged, cruel ways only teenagers can manage. Director Sammi Cohen perfectly free movie sites captures the heightened melodrama that paints everyone’s teen years, while delivering emotional moments at all the right points. Films generate income from several revenue streams, including theatrical exhibition, home video, television broadcast rights, and merchandising.
It’s visually stunning, emotionally resonant, and yeah, also very violent. It is simply a crime that Eddie Murphy didn’t win every award under the sun for his performance as Rudy Ray Moore, aka Dolemite. Netflix has a massive library of kids’ movies, including many original choose-your-own-adventure stories. To help you filter out the duds, we keep tabs on the collection and update this list every month with the best options.
The final scene features perhaps the most iconic dance move of all time (that lift!). Is a spoof of the disaster film genre, particularly Zero Hour (1957). In this parody, a man who is afraid of flying must pull himself together to save the day when the pilots on his flight get sick. It’s got a million jokes per minute and some of the funniest lines ever written, including “I am serious…and don’t call me Shirley.” Airplane! Is, by many people’s estimation, one of the funniest movies ever made, and there’s not much else left to say. Sure, comedy is subjective, but it’s impossible not to laugh at this one.
Drive is a super slick and stylized action drama in which the main character barely talks — he doesn’t even have a name — and the violence is plentiful. It was Ryan Gosling’s first foray into the grumpy action hero archetype that he’s played many times since, most recently in Gray Man. ‘Artistic violence’ is not a phrase I’d ever expect to use, but it’s the best way to describe this movie. – These are all great movies, but I won’t call them “the best movies ever made.” Just movies that are crucial viewing for a ~varied and comprehensive~ film vocabulary. Considered one of the best British films of all time, Trainspotting follows a group of heroin addicts in Edinburgh, Scotland who try and fail to integrate themselves into “normal” society.
As ever, though, QT’s at his best in claustrophobic situations, with the tavern scene ramping up the tension to almost unbearable levels. Which was a medium sized hit when it came out in 2000, but the soundtrack album was a massive success and won a Grammy for album of the year. The album was ubiquitous for years it seems, but now neither the album or the movie are cited much anymore, at least as far as I’ve seen. Thelma & Louise is an unapologetically, explicitly feminist movie, which was kind of rare for the time period (the ’90s, lol).
But thankfully, there’s been enough good movies actually released recently this year that you should have no problem finding something great to watch. If the world were ending and I could only save one movie, I would pick Titanic. Leonardo DiCaprio and Kate Winslet star in the most beautiful love story of our time – which takes place during one of the most devastating disasters of our time.
Some people may think it’s crazy, but feeling a sense of fear, dread, and anticipation via movies is an adrenaline rush like no other. These classic horror movies and thrillers feature some of the most terrifying creatures, killers, and jump scares, not to mention some unforgettable psychological horror. You’re going to want to leave the lights on when you go to bed after watching these.
Thanks to the Wachowskis, we all took the red pill, and we’ve never regretted it. You’ve voted it your favourite Kubrick movie, which makes sense to us. It is arguably his greatest gift to cinema, an infinitely ambitious vision of a space-faring future whose narrative centres on the most pivotal moment in human evolution since some ape-man first bashed another ape-man with an old bone. Michael Mann’s starry upgrade of his TV movie LA Takedown squeezed every last drop of icon-juice out of its heavyweight double-billing, bringing Pacino and De Niro together on screen, sharing scenes for the very first time.
It’s got one of Morgan Freeman’s most beloved performances and one of the best movie lines of all time in “Get busy livin’ or get busy dyin’.” Beyond that, it’s a thoughtful reflection on the effects of a life in prison that’s just as resonant today as it was almost 30 years ago. With the kids back at school and schedules getting busier, you can always fall back on the best family movies on Netflix for a little family time. But nobody wants to waste that time scrolling for something everyone can agree to watch. The actor-turned-screenwriter Jason Segel and his collaborator Nicholas Stoller first teamed up for this romantic comedy from the producer Judd Apatow. Segel stars as Peter, a sad-sack composer in a perpetual funk after his breakup with the title character (Kristen Bell), a famous TV actress. In an attempt to escape his depression, he takes a vacation to Hawaii — only to find Sarah at the same resort with her new beau (Russell Brand), a pretentious British pop star.
Instead, they and the friends who joined them are trapped by torrential rain. After the mysterious storm passes, the world is changed, with the entire building floating on an ethereal sea, and a new child in their midst. It’s easy to imagine that the elevator pitch for The Sea Beast was “Moby Dick meets How to Train Your Dragon”—and who wouldn’t be compelled by that? Set in a fantasy world where oceanic leviathans terrorize humanity, those who hunt down the giant monsters are lauded as heroes. However, after an attempt to destroy the colossal Red Bluster goes disastrously wrong, Jacob and Maisie are stranded on an island filled with the creatures, and they find that the monsters may not be quite so monstrous after all. A rollicking sea-bound adventure directed by Chris Williams—of Big Hero 6 and Moana fame—it secured its standing as one of Netflix’s finest movies with a nomination for Best Animated Feature at this year’s Oscars.
The film takes place almost entirely in the jury room, which really serves to show off the film’s screenplay and the performances of the cast. Sometimes, the simplest things are the most effective, and 12 Angry Men certainly proves that. Casablanca is one of those movies that everyone knows about, even if they’ve never seen it.
With storylines between two hitmen, gangsters, a mob wife, a boxer, and a pair of nervous robbers, Pulp Fiction is a rollercoaster of a film, in the best way possible. Directed by Ryan Coogler and starring Michael B. Jordan, this heart-wrenching film follows the last day of Oscar Grant, a man who was killed by police at a BART station on New Year’s Eve 2009. While this Italian film is about the horrors of the Holocaust, it has plenty of comic moments as well—and it works. Roberto Benigni gives a breathtaking performance as a family man who, as a Jew, is sent with his family to a concentration camp in northern Italy, but uses his imaginative powers to convince his young son that it’s all a game. Natalie Portman plays Nina, a professional ballerina who increasingly loses her grip on reality as she’s forced to compete with Mila Kunis’ Lily for the lead role in a production of Swan Lake.
An exploration of the origins of the “conversion therapy” movement—a harmful and medically denounced process through which religious groups try to “cure” homosexuality—may not make for light entertainment, but this searing look at the practice and its roots is darkly compelling. Director Kristine Stolakis speaks with key founders of the movement and survivors of the often brutal treatments that arose over nearly half a century and offers insight into both. Pray Away is a difficult watch at times—especially for LGBTQ+ viewers—but it shines an important light on the movement and the damage it causes. GSVariety put the worldwide rental for The Greatest Show on Earth at around $18.35 million (with $12.8 million coming from the United States) a year after its release; however, Birchard puts its earnings at just over $15 million up to 1962. It is likely that Birchard’s figure is just the North American gross rental, and includes revenue from the 1954 and 1960 reissues.